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The Museum complements these images with early books and prints that illustrate his life in many aspects and the popular perceptions of him after his death. Coates and on the covers of popular media in the 1930s that celebrated the Bicentennial of Washington’s birth in poster art and merchandising; third, Portraits, foremost the Gilbert Stuart painting as well as engravings such as the famous “Porthole” engraving from , circa 1870; and, last, Washington as Man or Myth, illustrated here in the famous myth: “Father I Cannot Tell a Lie, I Cut the Tree,” in the 1867 engraving by George White.

People tend to turn to Washington and look for his image during trying times such as Washington’s own death in 1799 and during the Civil War in the 1860s as well as in times of celebration at the Centennial of the United States in 1876, and the Bicentennial of Washington’s birth in 1932. The successful visual promotion of Washington to his public was adopted by the presidents who followed as they sought visual presence before the public.

One, at the Museum for this exhibition, shows the president looking to the right out at the viewer, his left hand framed by a gilded arm rest.

Images of Washington often show him an elder statesman, bringing peace and stability to the new nation of the United States after the turmoil of its Revolutionary War.

In 2014 he was selected for the national survey exhibition This exhibition is the final episode in the artist’s series on Colonial America, his successful combining of art, history, and sometimes wicked but always fun-to-read commentary on people — Europeans adventurers and explorers, North American Indians, freed and enslaved blacks, and ravishing women who love, laugh, and die on the banks of the Hudson from Manhattan up to Lake Oneida.

Now, there’s even […]Tubing is one thing and old fashioned sledding is another.

If sliding on a plastic saucer is your idea of downhill fun, the best sledding hills in America have plenty of snowy slopes to navigate with the aid of gravity.

The action begins in 1791 and continues through 1793, real time for New York City just flaunting its new identity on the southern tip of the island of Manhattan, and thriving under English rule.

The city’s first denizens, the Dutch, are “has beens,” unwillingly departed from the city they called New Amsterdam, and now skirmishing with their Iroquois allies in the Hudson Valley nearby to the north.

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