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Because reality is composed of processes that can be identified with a powerful-enough microscope or calculated with a fast-enough computer, so Weber's notion of disenchantment goes, there is no place for mystery.
But this state of disenchantment is a difficult one because people seem to like wonder.
In fact, of Hollywood's top earners since 1980, a mere eight have not featured wizardry, space or time travel, or apocalyptic destruction caused by aliens/zombies/Robert Downey Jr.'s acerbic wit.
Now, with Man of Steel, it appears we will at last have an effective reboot of the most important superhero story of them all.
Children and childhood retain mystery, and so one tactic has been to take fairytales and rewrite them for adults and here we get the swords and sorcery of modern fantasy.
Nineteenth-century German sociologist Max Weber had a useful theory about this: The answer may be that we in the West are "disenchanted." The world in which we live feels explainable, predictable, and boring.
Weber posited that because of modern science, a rise in secularism, an impersonal market economy, and government administered through bureaucracies rather than bonds of loyalty, Western societies perceived the world as knowably rational and systematic, leading to a widespread loss of a sense of wonder and magic.
For films like Avatar and The Hobbit, foreign sales equal or exceed domestic U. The list of those markets reads like the attendees of a G-8 summit (plus some key trading partners): the United Kingdom, Japan, France, Germany, Italy, Mexico, Brazil, Spain, South Korea, Russia, Australia, and China.
Avatar (2009) set the high-water mark for India, where South Asian audiences purchased million worth of tickets—about 10 percent of foreign ticket sales worldwide.
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