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The BPI has embraced the post-human era, with a report of the use of AI in music by consultancy Music Ally.
“AI is enabling the creation of hyper-personalised playlists using contextual data and deep analysis of the relationship between songs, while artists and labels are now using chatbots to engage fan-bases in campaigns,” we learn.
However, researchers at the Facebook AI Research Lab (FAIR) found that they had deviated from script and were inventing new phrases without any human input.
Facebook's Artificial Intelligence Researchers (Fair) were teaching the chatbots, artificial intelligence programs that carry out automated one to one tasks, to make deals with one another.
“Most chatbots aren’t really artificial intelligence in the purest sense of the term: they’re more carefully scripted question-and-answer programs capable of serving content.” Sony has created a chatbot for Robbie Williams, called the ‘Robbot’.
“Fans can ask Williams’ bot about his music and tour, as well as discovering playlists, visiting his online store and asking other questions, with the bot’s logic due to be updated in response to those interactions.” So far the adoption of “AI” - mostly a rebranding of neutral networks, because the idea well is dry - has been pretty catastrophic when placed in a consumer context, or any kind of practical situation.
The new language was more efficient for communication between the bots, but was not helpful in achieving the task they had been set.
'Agents will drift off understandable language and invent codewords for themselves,' Dhruv Batra, a visiting research scientist from Georgia Tech at Facebook AI Research (FAIR) told Fast co.'Like if I say 'the' five times, you interpret that to mean I want five copies of this item.
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But the inefficient human wetware that still clogs up the music industry isn’t quite ready for the glue factory yet.